New York Times | By
JANET MASLIN
Writing about a living subject, Sylvie Simmons says, means having “to immerse yourself in that person’s life to a degree that would probably get you locked up in any decent society.” It can also mean abandoning all hope of objectivity. But despite her simpatico feel for the life and work of her subject, Ms. Simmons’s “I’m Your Man” is the major, soul-searching biography that
Leonard Cohen deserves.
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